I picked up this book
with a lot of hopes, since this was the treatise that was said to have
influenced the likes of Leonardo da Vinci. However, the much lesser
mortal that I am, I couldn't gain much out of reading this book. Though
Leon is said to be a Renaissance master himself, modesty seems not to be
one of his virtues. Ego oozes out of his words in many pages. He seems
to have believed that he could do nothing wrong and people can all start
painting in a much better way by merely following his techniques. And,
those with alternative view points are simply brushed aside. Such a
egoistic attitude leaves a poor taste behind!
As for the book, it comprises of three chapters, or, as he calls them, three 'books'. The first one is mostly about geometrical patterns and viewpoints. Though it begins easily, soon it devolves into genius-talks. Only the second and third 'book' speak in a normal tone and are easily comprehensible and useful. The second and third chapters indeed make for a breezy read. But, as already said, his egoistic attitude shines throughout the book. Don't read this book just because it is called a 'classic' and don't read this book, if you are hoping to learn much about painting. This is a very casual work that you can do without!
As for the book, it comprises of three chapters, or, as he calls them, three 'books'. The first one is mostly about geometrical patterns and viewpoints. Though it begins easily, soon it devolves into genius-talks. Only the second and third 'book' speak in a normal tone and are easily comprehensible and useful. The second and third chapters indeed make for a breezy read. But, as already said, his egoistic attitude shines throughout the book. Don't read this book just because it is called a 'classic' and don't read this book, if you are hoping to learn much about painting. This is a very casual work that you can do without!
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.