There
are many glorious names adorning the genre of poetry. Names that can at once
excite the reader as they are uttered. Names that can tinge the air with a
peculiar sensation. Kahlil Gibran, Gulzar, Pablo Neruda and Kamala Das are a
few such names drawn from my own reading experience. This woman Rupi Kaur is
definitely headed towards that elite list, provided she keeps writing the way
she does – touching our deeply hidden emotions, fears and desires at ease
through her words. Of course, it is too early to attribute such a halo around
her head. But few contemporary poets write with the candidness that is her
forte.
Poetry
isn’t merely putting together a bunch of flowery words and hoping that the
reader will get to see the hidden meaning in them. A poem gets conceived like a
child. Only a poet can understand the birthing pangs as a poem takes shape deep
inside one’s soul. Every poem written on paper is a sliver of a poet’s persona.
A poem is a collage of all the dreams, pains, failures, desires, hopes,
experiences and expectations that swirl within the vortex that is the poet’s
mind. And, this poetess beautifully lays them all down straight on paper.
This
much-awaited anthology continues from where the previous collection left. Just
like the previous work, this book also deals mainly with themes like love,
longing, grief and healing, with a feministic attitude towards them. Just like
human personality, some poems convey the pain of separation, while some poems
deal with the process of healing the heart. Some poems speak about the fear of
being not enough, while most speak about self-love and self-worth. A refreshing
aspect in this collection is her paying attention to the search for identity in
a land faraway from her own. Poems written with compassion for her parents,
their struggle to make their lives in a place far from their motherland, her
empathy towards their pains, emotions and sacrifices make moving reading. It is
refreshing too, as a break from the usual pining over the loss of a beloved.
Another
fresh thing about her writing is that she isn’t negative with her words, there
is no male-bashing in the name of feminism, and the pages don’t just stay
soaked in tears and self-pity. As much as she feels low over the loss of love,
she exudes abundant hopes and self-worth as well. Also, delicate topics like
physical desires, self-pleasure, etc., which, if handled carelessly, can give
the work a lewd tint, have been handled with utmost sensitivity that only the
poets are blessed with. Her seemingly scribbled illustrations are blissful too.
Occasionally
one can’t help feeling that the book feels very similar to the previous work
and sounds more like the second volume of a collection than like a separate
work. But, being so young and so intense, she can be ‘forgiven’ for not
diversifying on her themes yet. I am hopeful that as she ages, she will
diversify her themes and get beyond mere ‘feministic’ themes.
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